Pieter Claesz, Vanitas with Violin and Glass Ball (detail), the artist is visible in the reflection, 1625.Ī self-portrait may be a portrait of the artist, or a portrait included in a larger work, including a group portrait. The unprecedented number of self-portraits by Rembrandt, both as paintings and prints, made clear the potential of the form, and must have further encouraged the trend. If nothing else, they avoided the need to arrange for a model, and for the many professional portrait-painters, a self-portrait kept in the studio acted as a demonstration of the artist's skill for potential new clients. They were also sometimes given as gifts to family and friends. Printed portraits of artists had a market, and many were self-portraits. īy the Baroque period, most artists with an established reutation at least left drawings of themselves. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. In reality she probably did not wear expensive clothes like these while painting.Ī self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Gina is the master of capturing that ‘magical moment’ both in studio and on location.Self-portrait by Judith Leyster, a Dutch Golden Age painter, mostly of genre subjects. She has photographed some of the world’s most powerful and famous people including royalty and heads of state, billionaires and a-list celebrities and been on location in some of the world’s most exotic places. Gina Milicia has been a professional photographer for more than 25 years. The Woman behind the eBook (and the Viewfinder) Gina Milicia Dealing with difficult situations (and sitters) 75.Understanding your camera's light meter 43.
Choose your ISO based on the available light 36 Don't put all your eggs into one basket 14 Everything from the right gear, to the right aperture, to working with subjects. This is must-have resource for anyone aspiring to take portraits with SOUL. Practical, Easy to Follow and Beautifully Presented. We’re so confident that it will, we’re backing it with a no questions asked money-back guarantee. It has been created to do one thing, transform your dull and lifeless pictures of people into beautiful works of art. Portraits: Making the Shot is bursting at the seams with practical and down to earth portrait photography advice, tips and imagery.
We wanted to help you achieve your true potential as a portrait photographer, so we’ve released a comprehensive 84 page downloadable eBook (this is not a hard cover book – it is a PDF eBook) to teach you the secrets of stunning portraiture. Yet so many of us struggle to take portraits with the ‘WOW Factor’. Whether it’s taking pictures of our friends, kids, partners or even ourselves – for a lot of photographers, people are what we’re looking at through the viewfinder (or on the LCD) when we line up a shot. Say Goodbye to Dull and Lifeless Pictures of People.
The Lights: Step-by-step instructions on using light meters, balancing daylight and flash and creating beautiful skin tone.The 3 Amigos: Learn how aperture, ISO and shutter speed work together.The Gear: discover the best portrait gear with some tips on buying great second hand additions to your kit.The Rules: learn the 10 commandments to portrait photography consistency (and brilliance).